Hiroshi Sugimoto’s Controversial Redesign Plan for the Hirshhorn Museum’s Sculpture Garden Gets a Final Green Light

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The U.S. Fee of Fantastic Arts has voted to approve Japanese artist Hiroshi Sugimoto’s proposed redesign of the Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C.

The final decision, created in a break up 5–2 vote by a committee including four new Joe Biden appointees, none of whom are landscape architects, was not devoid of controversy.

“The Hirshhorn benefitted at the Fee of Great Arts today from the commissioners’ deficiency of encounter, the commissioners’ deficiency of knowing of fee insurance policies and strategies, and simply because for the very first time in some 20 yrs, not a single of the commissioners is a landscape architect,” Charles A. Birnbaum, CEO of the Cultural Landscape Foundation, instructed Artnet News in an e-mail.

Sugimoto was tapped to direct the revitalization of the backyard right after putting his stamp on the establishment by the recent renovation of its lobby. He known as for increasing the museum’s historic reflecting pool to create a phase for performances.

The system will include two new entrances and accessible paths throughout the yard, Beth Ziebarth, head of accessability at the Smithsonian, mentioned at a public hearing held by the commission that was broadcast in excess of Zoom.

“Universal accessibility is an overarching institutional initiative to present equitable accessibility to all guests wherever attainable,” she stated.

Rendering of Hiroshi Sugimoto’s redesign of the Hirshhorn Museum and Sculpture Garden. Image courtesy of Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Rendering of Hiroshi Sugimoto’s redesign of the Hirshhorn Museum and Sculpture Backyard garden. Impression courtesy of Hirshhorn Museum and Sculpture Backyard garden, Washington, D.C.

But Sugimoto’s design and style strike a roadblock when Cultural Landscape Foundation voiced its opposition, professing that the proposed adjustments would harm the visions of architect Gordon Bunshaft, who built the museum in 1974, and landscape architect Lester Collins, who led a 1981 redesign of the grounds.

At difficulty, between other factors, have been Sugimoto’s programs to increase stone walls inspired by Japanese dry-stacking techniques to the back garden.

The museum contended that Bunshaft and Collins drew on Japanese gardens for their first styles, but the Cultural Landscape Foundation explained the stone would be a disruption of the Modernist aesthetic of the back garden, which solely options combination concrete.

Rendering of Hiroshi Sugimoto’s redesign of the Hirshhorn Museum and Sculpture Garden. Image courtesy of Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Rendering of Hiroshi Sugimoto’s redesign of the Hirshhorn Museum and Sculpture Backyard garden. Impression courtesy of Hirshhorn Museum and Sculpture Back garden, Washington, D.C.

Although the redesign experienced been given “concept approval” from the fee in 2019, Collins’s 1981 design had given that turn out to be qualified for inclusion on the Countrywide Sign up of Historic Destinations.

The Cultural Landscape Basis experienced hoped that the committee would reconsider preserving the residence as work of art in its own right, as Bunshaft meant. (On its site, the Hirshorn says the architect imagined the place as “a large piece of useful sculpture.”)

But landscape architect Laurie Olin supported the redesign, crafting in a report for the fee that the back garden was “disjointed, drained, and in have to have of transformation,” and that Sugimoto’s style and design is “far superior” and “will incorporate a deserving layer.”

Abide by Artnet News on Fb:


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